Issues : Omissions to cancel alteration

b. 422

composition: Op. 21, Concerto in F minor, Mvt III

..

In A (→GEFE) there is no  restoring gon the 3rd beat of this bar. This patent oversight – cf. analogous bar 414 – was corrected only in EE. An identical mistake is to be found in A also in the two remaining appearances of similar figures (bars 454 and 462). In this type of texture, Chopin considered both voices independently, to a significant extent, hence an alteration forming part of the chromatic progression in the top voice did not influence the notes of the bottom voice, constituting the harmonic base, in the internal hearing of the composer. Cf. numerous mistakes of this kind and inaccuracies in the Etude in A minor, op. 10 no. 2, e.g. in bars 1 and 5, as well as in an opposite situation in the 1st mov. of the Concerto, bars 302 and 304.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 438

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there is no  returning c4. The harmonic context and a comparison with an identical figure four bars earlier prove Chopin's mistake. The sign was added already in GE (→FEEE).

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 454-462

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no  restoring gon the 3rd beat of bars 454 and 462 in A (→GEFE). The patent mistake was corrected only in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 456-464

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there are no flats restoring bin the last chord in the L.H. in bars 456 and 464. These patent mistakes were corrected already in GE1 (→FEEE, →GE2), perhaps by Chopin.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Errors of A , Authentic corrections of GE

b. 481

composition: Op. 21, Concerto in F minor, Mvt III

..

In the last chord in the L.H., A does not have signs returning g and b. This patent inaccuracy, probably caused by crossings-out and changes (the crossed out chord sounded e-a-c1-g1), was corrected already in GE (→FEEE). EE added also a cautionary  before g3.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A