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b. 106-108

composition: Op. 21, Concerto in F minor, Mvt III

L.H. long accents in A & GE2

R.H. long accent in GE1 (→FE)

R.H. long accent & L.H. accents in EE

..

Out of two long accents under the chords in the left hand only the first was reproduced in GE1 (→FEEE) and under the part of the R.H. EE added both accents in the L.H., probably by analogy with bars 90 and 92 and 114 and 116. GE2 restored the notation of A.

category imprint: Differences between sources

issues: Long accents , EE revisions , Errors in GE , GE revisions

b. 106-108

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add cautionary flats before ein bars 106 and 108. The first of them was added already in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 107

composition: Op. 21, Concerto in F minor, Mvt III

No mark in sources

[] suggested by the editors

Our alternative suggestion, [>]

..

According to us, it is highly likely that the missing accent under is Chopin's neglect. Therefore, in the main text we suggest adding a respective sign after analogous bar 105. In the face of uncertainty as to the kind of the accent employed there, we also give an alternative proposal with a short accent.

category imprint: Editorial revisions

b. 109

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 109

composition: Op. 21, Concerto in F minor, Mvt III

..

The  raising d3 to d3, overlooked by Chopin in A, was added only in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A