Articulation, Accents, Hairpins
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b. 76
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composition: Op. 21, Concerto in F minor, Mvt II
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The presence of a staccato dot also over the 1st semiquaver in the editions is, according to us, a result of inattention of the engraver of GE1 or of his belief that the notation of A was performed carelessly. In both previous appearances of this phrase, the move after the syncopation of a category imprint: Differences between sources issues: Errors in GE |
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b. 77
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composition: Op. 21, Concerto in F minor, Mvt II
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The long accent in FE (→EE), not arising from the notation of A (→GE), is probably an accidental inaccuracy. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 77
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composition: Op. 21, Concerto in F minor, Mvt II
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The overlooked staccato dot over B category imprint: Differences between sources issues: Errors in GE |
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b. 79
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composition: Op. 21, Concerto in F minor, Mvt II
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In the 2nd half of the bar, both the absence of the first two staccato dots in GE (→FE→EE) and an additional dot over the demisemiquaver in EE is certainly a result of an inaccurate work of the engravers. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 79
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composition: Op. 21, Concerto in F minor, Mvt II
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Reproducing the accent in the editions as short is certainly a result of an inaccurate interpretation of A by the engraver of GE1. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
2 is resumed on one of the weakest beats of the bar.
