Issues : GE revisions
b. 15
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composition: Op. 21, Concerto in F minor, Mvt II
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In GE1 bar 15 opens a new page, which contributed to an inaccuracy in reproducing the slur in the R.H.: the slur running from the previous bar has no continuation on the new page. We interpret it in accordance with the way it was interpreted in FE (→EE). It is only in GE2 that the slur is compatible with the notation of A (although from the practical point of view, a sequence of slurs present in the remaining editions is only a strange manner of writing the same execution). category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 15
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composition: Op. 21, Concerto in F minor, Mvt II
category imprint: Differences between sources issues: GE revisions |
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b. 17
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composition: Op. 21, Concerto in F minor, Mvt II
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In this case, it is hard to state how the discrepancies between the slurring of A and GE1 (→FE→EE) occurred. Although one cannot see traces of a possible Chopin proofreading in print, it does not mean such a possibility is definitely excluded. On the other hand, an arbitrary change of the engraver, whose result is compatible with Chopin slurring of the repetition of this phrase in the ending (bars 85-86), seems to be highly unlikely. Therefore, both versions may be considered equal; to the main text we adopt the one whose authenticity remains beyond any doubt, i.e. A (and GE2). category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 17
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composition: Op. 21, Concerto in F minor, Mvt II category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 18
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composition: Op. 21, Concerto in F minor, Mvt II
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Omission of tenuto dashes over three octaves in GE1 (→FE→EE), despite having been consistently carried out both in this bar and analogous bar 86, does not seem to be Chopin's proofreading. According to us, it could have been a result of the engraver's misunderstanding of the combination of three articulation indications: a slur, tenuto marks and staccato dots. A slur actually designates also phrasing, while dots under a slur were generally used by Chopin to mark a lighter and shorter non legato. category imprint: Differences between sources issues: Errors in GE , GE revisions |