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Issues : Annotations in teaching copies
b. 53
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering digit coming undoubtedly from Chopin is written into FED. category imprint: Differences between sources |
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b. 59-62
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composition: Op. 21, Concerto in F minor, Mvt II
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In FES, Chopin sketchily marked changes in the pairs of chords forming cues of the orchestral part at the transition of bars 59-60 and 61-62. In the first pair, he changed the bottom note of the R.H. chord in bar 59 from d category imprint: Differences between sources; Corrections & alterations; Source & stylistic information |
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b. 64-72
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composition: Op. 21, Concerto in F minor, Mvt II
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It is puzzling that the changes of the bass note at the end of bar 64 and in the 1st half of bar 65, written in Morch and other sources of the orchestral part, were not considered in the harmonic accompaniment added in FES (see bars 45-52). According to us, it can be a result of inadvertence, hence we suggest a corresponding hypothesis in this place.
After choosing the version with accompaniment, it may be necessary to select corresponding versions also in bar 65 (d-d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 69
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composition: Op. 21, Concerto in F minor, Mvt II
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On the 2nd beat of the bar FES has a quaver and two semiquavers in the added accompaniment. Due to the hasty and partially sketchy notation, it is uncertain whether the line in the place of the semiquaver beam is to be interpreted as an actual beam. category imprint: Interpretations within context |
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b. 73
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composition: Op. 21, Concerto in F minor, Mvt II
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The Chopin fingering is probably written with a pupil's hand. category imprint: Differences between sources |