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Accompaniment in FES, interpretation |
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FES version with change suggested by the editors |
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Version of remaining sources |
It is puzzling that the changes of the bass note at the end of bar 64 and in the 1st half of bar 65, written in Morch and other sources of the orchestral part, were not considered in the harmonic accompaniment added in FES (see bars 45-52). According to us, it can be a result of inadvertence, hence we suggest a corresponding hypothesis in this place.
The doubt about the rhythm's interpretation – see bar 69.
After choosing the version with accompaniment, it may be necessary to select corresponding versions also in bar 65 (d-d
) and 69 (g-g), 65 (staccato signs), 67 (tie of e2) and in notes on slurs in bars 64, 64-65, 65-68 and 66-69.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues: Annotations in teaching copies, Annotations in FES, Authentic post-publication changes and variants
notation: Pitch
