![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Annotations in teaching copies
b. 39
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The version with the a category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , GE revisions , Annotations in FES |
||||||||
b. 41
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The changes in the pitch of the 2nd note in particular sources seem to prove Chopin's hesitation; the order of the versions is as follows: b category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Chopin's hesitations , GE revisions , Authentic corrections of FE , Authentic corrections of GE |
||||||||
b. 44-45
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The fingering written in FED does not concern the version with the harmonic accompaniment in the L.H. written in FES. category imprint: Differences between sources |
||||||||
b. 45-52
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In FES Chopin wrote a simplified reduction of the recitative's orchestral accompaniment, which can be used while performing this movement solo. The accompaniment is to be played with the L.H. instead of the original part and in few places also the part of the R.H. was completed. In bars 45-47 the notation is most probably inaccurate – the applied abbreviation, when interpreted literally, orders striking the bass in the bottom octave (A After choosing the version with the harmonic accompaniment, it may be necessary to select relevant versions also in bars 45 (pedal), 46 (staccato dots), 47-48 (slurs), 51 (slurs) and 52 (slurs and staccato signs). category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
||||||||
b. 53-63
|
composition: Op. 21, Concerto in F minor, Mvt II
..
Harmonic accompaniment written into FES – see bars 45-52. After selecting this version, it may be necessary to choose relevant versions also in bar 53 (slurs and accents), 53-54 (staccato signs), 54, 56-57, 57-61, 62 and 63 (slurs). category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |