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Issues : GE revisions
b. 39
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composition: Op. 21, Concerto in F minor, Mvt II
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The version with the a category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , GE revisions , Annotations in FES |
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b. 40
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composition: Op. 21, Concerto in F minor, Mvt II
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On the 3rd beat of the bar A does not have flats lowering c1(2) to c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The changes in the pitch of the 2nd note in particular sources seem to prove Chopin's hesitation; the order of the versions is as follows: b category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Chopin's hesitations , GE revisions , Authentic corrections of FE , Authentic corrections of GE |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The engraver of GE did not notice the c category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The rhythmic notation of the majority of the sources is incorrect, since the group has only 8½ semiquavers. Therefore, it is most probably a mistake of the engraver who, presumably, added a beam almost "automatically" (in similar situations it is the figures in which the note after the rest is shorter than the previous that appear more frequently). Cf. a similar situation in bar 81. The mistake was revised in GE2 after A and arbitrarily in EE3 (the latter is still erroneous, since the group has, contrary to the indication, only 8 semiquavers). category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |