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Issues : Omissions to cancel alteration
b. 17
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE) Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Inaccuracies in A |
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b. 49
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composition: Op. 21, Concerto in F minor, Mvt I
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Before the last pair of octaves in the L.H. there are no flats in A, as a result of which they should be read as A-a. Chopin's oversight, corrected already in GE1 (→FE→EE, →GE2), is proved by the flats in the parts of all instruments performing the bass line visible in Morch. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 85
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composition: Op. 21, Concerto in F minor, Mvt I
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A typical Chopin oversight – a missing category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Cautionary accidentals , Errors of A , FE revisions |
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b. 93
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 99-100
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composition: Op. 21, Concerto in F minor, Mvt I
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In these bars, in the part of the R.H. A has only one category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |