



Rhythm
b. 1
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composition: Op. 21, Concerto in F minor, Mvt I
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Change of the time signature from category imprint: Differences between sources issues: Errors in GE , 4/4 or 2/2 , Errors repeated in FE , Errors repeated in EE |
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b. 23
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composition: Op. 21, Concerto in F minor, Mvt I
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The first octave in the L.H. in A is a quaver, so that the bar includes only 7 quavers. The mistake was corrected in GE (→FE→EE), by replacing the quaver with a crotchet, which we consider an accurate interpretation of the notation of A: Chopin probably erroneously repeated the rhythmic value of the chord in the R.H., as it was in the four previous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 31-32
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composition: Op. 21, Concerto in F minor, Mvt I
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The Chopin manner of writing ties as short curved lines placed close to a second note caused an inaccurate and misleading reproduction of the tie of f1 by GE1. In FE (→EE) the curved line was given an unambiguous form of a phrase mark, combining the last quaver in bar 31 (b category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 77-78
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composition: Op. 21, Concerto in F minor, Mvt I
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It is difficult to clearly state how the differences between A and the editions came to exist. Chopin's proofreading cannot be excluded in this place, yet, according to us, an erroneous reproduction of A is much more likely – cf. an analogous phrase in bars 3-4, in which the repetition of f1 is confirmed with an accent and probably also with a corrected slur. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of GE |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the b category imprint: Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |