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Issues : Long accents
b. 236-240
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composition: Op. 21, Concerto in F minor, Mvt I
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All accents in the R.H. in bars 236, 238 and 240 are clearly written and they are undoubtedly long accents. In spite of this, in GE1 the signs in bar 238 were overlooked, whereas the remaining ones were reproduced inaccurately – the last two accents in bar 236 and the last one in bar 240 are short. In FE and EE bar 238 was left without signs, whereas the notation of the remaining ones was distorted – in bar 236 the first accent became a category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE , Errors in GE , GE revisions |
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b. 249-250
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composition: Op. 21, Concerto in F minor, Mvt I
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Shorter accents over f category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 251
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accents of A were reproduced in GE (→FE→EE) as category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 272
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the long accent present in A was overlooked. The accent was restored in GE2 but as a short one. category imprint: Differences between sources issues: Long accents , Errors in GE , GE revisions |
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b. 278
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composition: Op. 21, Concerto in F minor, Mvt I
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Same as in bar 130, we consider that it is more likely that the accent refers to the L.H. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in A |