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Issues : Authentic corrections of GE
b. 203-204
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of the slur (slurs?) separating the solo bassoon phrase in A seems to be Chopin's inadvertence. GE1 has a slur in the 2nd half of bar 204, in which one can see the Chopin proofreading. However, certain arguments show that the addition should be subject to caution – it can be an attempt at an interpretation of the tie of e category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE , Authentic corrections of GE |
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b. 205
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur, added in GE1 (→FE→EE) may be a result of Chopin's proofreading. However, according to us, an erroneous interpretation of the tie of e category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 213
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composition: Op. 21, Concerto in F minor, Mvt I
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The Viol. indication, added in GE1, may be authentic. Chopin could have had two reasons to specify the instrumentation: the reduction does not include here an important motif of the flute and oboe; moreover, in GE1 the dots and the slur written in A were overlooked. The possibility that the articulation markings were deliberately replaced with this indication seems to be much less likely. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flat before d
The flat before the d category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of GE |
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b. 219
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composition: Op. 21, Concerto in F minor, Mvt I
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The c category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |