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Issues : Annotations in FED
b. 98
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composition: Op. 21, Concerto in F minor, Mvt I
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The sign added in FED over the g2-d category imprint: Graphic ambiguousness; Differences between sources |
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b. 99-100
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composition: Op. 21, Concerto in F minor, Mvt I
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In these bars, in the part of the R.H. A has only one category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 101-103
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composition: Op. 21, Concerto in F minor, Mvt I
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Due to practical reasons, we conventionally divided the fingering in the L.H. written in FED into two parts. In one group we gathered the fingering that, according to us, does not have an equivalent alternative. The second group includes the fingering of these figures that may also be performed with different fingers. Similarly in the case of the fingering in the R.H. category imprint: Differences between sources |
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b. 101-102
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 101-103
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing dashes marking the range of cresc. is a typical inaccuracy of GE1 (→FE→EE). The dashes were added in GE2, leading them – differently than in A – to category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE |