Issues : Authentic corrections of FE

b. 111

composition: Op. 21, Concerto in F minor, Mvt I

No fingering in A (→GE)

'1' in FE (→EE)

..

Chopin added the one on the last quaver in the proofreading of FE (→EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 135

composition: Op. 21, Concerto in F minor, Mvt I

Crotchet e in A (→GE)

Dotted minim in FE (→EE)

..

Extending the value of e is undoubtedly a result of the Chopin proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE

b. 138

composition: Op. 21, Concerto in F minor, Mvt I

e2 repeated in A (→GE)

e2 tied in FE (→EE)

..

The tie of ewas added by Chopin in the proofreading of FE (→EE) as one of the three additions in the 2nd half of the bar (cf. notes on pedalling and sempre legato). It is a characteristic Chopin pianistic procedure, ensuring strict legato of a melody led in chords (cf. e.g. the Polonaise in Amajor, Op. 53, bar 97). We suggest this change also in bar 286.  

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 138

composition: Op. 21, Concerto in F minor, Mvt I

No pedalling in A (→GE)

Pedalling in FE (→EE)

..

Chopin added the pedalling in the proofreading of FE (→EE). It is a third addition – next to the tie of e2 and sempre legato – introduced in this proofreading.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 139

composition: Op. 21, Concerto in F minor, Mvt I

No indication in A (→GE) & EE

sempre legato in FE

..

Chopin added sempre legato in the proofreading of FE, probably considering the accompaniment in this and two subsequent bars, devoid of slurs, requiring more precise articulation – in an analogous place in the recapitulation the L.H. is provided with slurs. In EE, in which the slurs were added here, sempre legato was omitted, which can be regarded as a rational solution, compliant with economy of indications, generally characteristic for the Chopin notation. 

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE , Legato & slurs