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b. 127
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composition: Op. 21, Concerto in F minor, Mvt I
..
The engraver of GE1 may have considered the extensions of the 2nd and 4th quavers to be a mistake – cf. bar 125. However, this kind of notation, more or less precisely marking the so-called harmonic legato – holding elements of chords with fingers – would often be used by Chopin, e.g. in bars 130 and 278. In analogous bar 275, the notation of the editions is also inaccurate. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 127
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composition: Op. 21, Concerto in F minor, Mvt I
..
Extending a slur to the end of a bar is a characteristic inaccuracy of GE1 (→FE→EE), corrected in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 127
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composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we add a cautionary category imprint: Editorial revisions |
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b. 127
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composition: Op. 21, Concerto in F minor, Mvt I
..
The placement of leggiero in A is most probably conventional: the indication concerns generally the entire roulade and the choice of the right articulation and dynamics in combination with category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 127
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composition: Op. 21, Concerto in F minor, Mvt I
..
Changes of the range of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
2 in 
before b
is left to the discretion of the performer. 
