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b. 120
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composition: Op. 21, Concerto in F minor, Mvt I
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GE1 (→FE→EE) overlooked the tie of e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 120
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composition: Op. 21, Concerto in F minor, Mvt I
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Two strokes pencilled into FED below the 3rd semiquaver of the bar are probably meant to make the barely visible ledger lines more distinct. category imprint: Source & stylistic information |
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b. 121
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before d category imprint: Editorial revisions |
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b. 121-122
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composition: Op. 21, Concerto in F minor, Mvt I
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Both ways of pedalling, which can be deduced from the inaccurate and obscure notation of the sources – above all A – may be considered equal, according to us; their sound effect is very similar anyway. In the main text we give a possible interpretation of corrections and entries visible in A. The second proposed version, also referring to the notation of A (interpreted differently), reproduces at the same time the notation of the editions, free from errors. In particular, we correct the erroneous oversight of markings in the middle of bar 121, in which Chopin overlooked the category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors in GE , No pedal release mark |
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b. 121
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composition: Op. 21, Concerto in F minor, Mvt I
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GE1 (→FE→EE) has a category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
1, probably due to a misunderstanding of the notation of 
sign and in 
instead of 
(cf.