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Issues : EE inaccuracies
b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the pedalling of A as the only authentic. In spite of minor inaccuracies, bars 151-154 include detailed and consistent indications in A – the moment of pedal release is slightly different in each of four situations within two-bar phrases. The subtlety was partially lost in the editions, whereas the differences between them most probably stem from attempts (generally feeble) to order the notation made by engravers or revisers. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 185
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the notation of A, the only authentic according to us. The versions of editions are a sequence of cumulative mistakes, inaccuracies, misinterpretations and arbitrary changes:
category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Errors in GE , GE revisions , EE inaccuracies , Partial corrections |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there are no naturals raising d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , EE inaccuracies , Inaccuracies in A |
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b. 218
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |
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b. 219
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composition: Op. 21, Concerto in F minor, Mvt I
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Similarly as in bars 217-218, we consider the subsequent shortenings of the category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |