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Issues : FE revisions
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b. 115-116
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs in the L.H. (including the tie) are written in these bars either inaccurately or erroneously in the majority of the sources. The variants related to the sustention or repetition of e category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , FE revisions |
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b. 135
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composition: Op. 21, Concerto in F minor, Mvt I
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Assigning the b category imprint: Differences between sources issues: Inaccuracies in GE , FE revisions |
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b. 167
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composition: Op. 21, Concerto in F minor, Mvt I
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Differently than in analogous bars 161-166 and 168, in GE both slurs begin from the 2nd quaver in the group. It is almost certainly a result of proofreading – probably a Chopin one – since the slurs of A, particularly the second one, are exceptionally inaccurate here. The difference in slurring was not included in FE (→EE), which may be explained by distraction or a unifying revision. It is also possible that the slurs in GE1 were changed in the last phase of proofreading, already after the copies had been sent to Paris. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Authentic corrections of GE , FE revisions |
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b. 202
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composition: Op. 21, Concerto in F minor, Mvt I
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In A it is unclear what the rhythmic value of the c2 note is – it can be considered a crotchet or a slashed grace note. We regard the first possibility as the more likely one, since the corresponding note in the oboe and clarinet parts in Morch has the same value. If we were to consider c2 a grace note, it would be difficult to explain why the remaining notes in the R.H. are written as the bottom voice (with stems pointing downwards); moreover, the slash of a grace note is usually led from bottom to top and from top to bottom. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , FE revisions , Inaccuracies in A |
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b. 203
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composition: Op. 21, Concerto in F minor, Mvt I
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FE1 has a category imprint: Differences between sources issues: Errors in FE , FE revisions |
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