Morch
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 202

Grace note in A (possible reading)

Crotchet in A (probable reading→GE)

Dotted minim in FE

Semibreve in EE

In A it is unclear what the rhythmic value of the cnote is – it can be considered a crotchet or a slashed grace note. We regard the first possibility as the more likely one, since the corresponding note in the oboe and clarinet parts in Morch has the same value. If we were to consider ca grace note, it would be difficult to explain why the remaining notes in the R.H. are written as the bottom voice (with stems pointing downwards); moreover, the slash of a grace note is usually led from bottom to top and from top to bottom.
The dotted minim in FE is most probably a result of a revision – the change was performed in the moment when the note was preceded by the erroneous flat, which Chopin would have certainly noticed. In turn, one can imagine a reviser checking the rhythmic correctness of the notation, who would not be considering the sound of the chord.
Another extension of this note in EE is certainly an editorial revision.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions, FE revisions, Inaccuracies in A

notation: Rhythm

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