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Op. 21, Concerto in F minor, Mvt I

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Slurs

b. 289-290

composition: Op. 21, Concerto in F minor, Mvt I

Slurs in A, probable interpretation

Slurs in A, possible interpretation

Slurs in GE (→FE→EE)
..

In A it is unclear whether the end of the slur from bar 290 is written just with aplomb or whether it is supposed to reach the 1st semiquaver in bar 291. In the main text we assume the latter; in turn, not only was the slur ended on the last semiquaver in bar 290 in the editions, but also a next one was started from the 1st note in bar 291, clearly contrary to the notation of A.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccurate slurs in A

b. 290

composition: Op. 21, Concerto in F minor, Mvt I

Slur in A

Slur in GE (→FE→EE)

Slur suggested by the editors
..

According to us, while the slurs present in the sources are authentic, both the slur of A, not embracing the 2nd half of the bar, and the whole-bar slur of GE (→FE→EE), added perhaps by Chopin, can be, however, inaccurate. Therefore, in the main text we suggest a slur including the most certain elements of the source versions – the beginning of the slur in A and the ending in the editions.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Authentic corrections of GE

b. 290-291

composition: Op. 21, Concerto in F minor, Mvt I

Beginning of slur in A (contextual interpretation), EE & GE2

Beginning of slur in A (possible interpretation)

Beginning of slur in GE1 (→FE)
..

The beginning of the 2nd slur in this bar is unclear. The slur of A is certainly inaccurate in this respect – we assume that Chopin wanted to embrace the entire group of small notes with it, as in analogous bar 142. GE1 interpreted it in a similar way, yet the inaccurately placed slur included also the e1 crotchet (which was corrected in GE2). FE generally reproduced the version of GE1; however, the different layout of the slurs coinciding on the e1 crotchet contributed to the fact that EE interpreted it already as the beginning of the slur from the 1st small semiquaver.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions

b. 290

composition: Op. 21, Concerto in F minor, Mvt I

Slur to b3 in A & GE2

Slur to a​3 in GE1 (→FE→EE)
..

In GE1 (→FE→EE) the slur was led only to the last semiquaver in the 1st half of the bar, contrary to the clear notation of A.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 292

composition: Op. 21, Concerto in F minor, Mvt I

2 slurs in A

3 slurs in GE1 (→FE→EE)

Slur in GE2
..

The division of the clear slur of A is a typical example of the manner of the engraver of GE1 (→FE→EE). In the main text we omit the additional slur over the quintuplet written in A – General Editorial Principles, p. 16. 

category imprint: Differences between sources

issues: GE revisions