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b. 5-6
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE, staccato dots under the C-c octaves were added together with the slurs. In FE (→EE) the one in bar 5 was overlooked, perhaps deliberately, taking into account the lack of a corresponding sign in the part of the R.H. GE2 completed unification of the notation of the pairs of chords in these bars, which, judging on the notation of A, did not fall within Chopin's intention. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 5
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composition: Op. 21, Concerto in F minor, Mvt I
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In A category imprint: Source & stylistic information issues: Accidental below/above the note |
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b. 6-7
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A, although unfinished in bar 7 on a new page, clearly leads to the crotchet at the beginning of the bar, which was not reproduced in the editions. The slur of the L.H., added in EE and GE2, is certainly inauthentic. category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions |
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b. 6
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we omit the superfluous flats before the D category imprint: Editorial revisions |
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b. 8
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composition: Op. 21, Concerto in F minor, Mvt I
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Admittedly, the slur of A does not reach the very end of the motif, yet it was extended, which proves that Chopin meant a sign embracing all notes in the R.H. in this bar. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
e
2 to e2 is written at the level of g2.
