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Op. 21, Concerto in F minor, Mvt I

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b. 90

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 90

composition: Op. 21, Concerto in F minor, Mvt I

3 staccato dots in A & FE (→EE)

No marks in GE1

2 dots in GE2
..

The sophisticated articulation marking – legato in the top voice of the octaves and staccato in the bottom one – was only partially reproduced in GE1. In the proofreading of FE (→EE), Chopin restored staccato in the bottom voice. Two out of three dots were added also in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Authentic corrections of FE

b. 90

composition: Op. 21, Concerto in F minor, Mvt I

 to c3 in A

 to end of bar in GE (→FE→EE)
..

The  hairpin, reaching the topmost note of the motif in A, was adjusted to the last group of semiquavers in the editions, which quite clearly changed its meaning.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 92

composition: Op. 21, Concerto in F minor, Mvt I

..

In FE (→EE) the sextuplet was misprinted for demisemiquavers.

category imprint: Differences between sources

issues: Errors in FE , Rhythmic errors

b. 93

composition: Op. 21, Concerto in F minor, Mvt I

1 slur in A

2 slurs in GE (→FE)

2 slurs in EE
..

In spite of a clear combination of original slurs in A, put over irregular groups, in GE (→FE→EE) the slur is divided more or less in the middle of the bar (in EE the beginning of the second slur was moved, with a reason in this situation).

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: EE revisions , Corrections in A , Errors in GE