b. 111
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 111
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composition: Op. 21, Concerto in F minor, Mvt I
..
The longer slur of GE (→FE→EE) is probably a typical inaccuracy of the engraver of GE1, yet fingerings added here later by Chopin – on the last quaver in the proofreading of FE (→EE) and on the first sixth in FED – allow to consider this slur to have been accepted by the composer. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 111
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 111
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composition: Op. 21, Concerto in F minor, Mvt I
..
When interpreted literally, both are written in A in a way it was performed in GE1. However, according to us, the second sign concerns the quaver motif in the L.H. and this is the interpretation we give in the main text. It is difficult to state why FE (→EE1) did not print any of those signs; it was probably due to distraction. In GE2 the second sign was considered superfluous and it was removed. In this context, one has to acknowledge the intuition of the reviser of EE2 (→EE3) who found the correct solution only on the basis of GE1, hence not having seen A. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 112
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composition: Op. 21, Concerto in F minor, Mvt I
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The fingering digit before the penultimate semiquaver was written in FED twice – first '2', then '1'. At the same time, the notation indicates '1' as the final decision and this is the digit we include in the main text. Cf. the next note. category imprint: Differences between sources |