b. 103-104
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composition: Op. 21, Concerto in F minor, Mvt I
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The continuous slur of the editions is a result of the proofreading of slurring performed in GE1. However, the visible traces let us state that the version of A was not corrected; it is also uncertain whether all slurs in GE1 were proofread by Chopin. Due to this reason, in the main text we preserve the notation of A in which the slurs overlap at the beginning of bar 104. The continuous slur may be considered an equal variant. category imprint: Differences between sources |
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b. 104
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 104
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 the second out of three accents was overlooked and the difference in their length was not taken into account. The overlooked accent was restored in the proofreading of FE (most probably by Chopin) and in GE2. The change of font of the accents in EE is a typical revision of this edition. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 105-107
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composition: Op. 21, Concerto in F minor, Mvt I
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In the sources there is no returning f on the 7th quaver in bar 105. Similarly, in bar 107 Chopin overlooked a before f1. Those patent mistakes were undiscovered both by the revisers of the editions (in total 7 proofreadings in 3 editions) and by Chopin himself, who had to look at those places at least once, when, proofreading FE1, he added slurs embracing the discussed notes in both bars. category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 105
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur under four quavers was undoubtedly added by Chopin in the proofreading of FE (→EE). However, the notation of FE does not clearly state whether the slur is actually supposed to concern the quavers of the top voice or of both; in other words, whether it is to start from the tied a quaver or from the e minim. In EE the slur was moved over the quavers, which, although graphically contrary to Chopin's notation, seems to be a skillful solution of this dilemma – the slur concerns the top voice, but it embraces the bottom one too. We suggest this solution as an alternative one in analogous bar 107. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |