



b. 103-104
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composition: Op. 21, Concerto in F minor, Mvt I
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The continuous slur of the editions is a result of the proofreading of slurring performed in GE1. However, the visible traces let us state that the version of A was not corrected; it is also uncertain whether all slurs in GE1 were proofread by Chopin. Due to this reason, in the main text we preserve the notation of A in which the slurs overlap at the beginning of bar 104. The continuous slur may be considered an equal variant. category imprint: Differences between sources |
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b. 104
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 104
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 the second out of three accents was overlooked and the difference in their length was not taken into account. The overlooked accent was restored in the proofreading of FE (most probably by Chopin) and in GE2. The change of font of the accents in EE is a typical revision of this edition. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 105-107
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composition: Op. 21, Concerto in F minor, Mvt I
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In the sources there is no category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 105
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur under four quavers was undoubtedly added by Chopin in the proofreading of FE (→EE). However, the notation of FE does not clearly state whether the slur is actually supposed to concern the quavers of the top voice or of both; in other words, whether it is to start from the tied a category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |