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Slurs

b. 101-104

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slur in GC & EE

No slur in FE & GE

..

The slur over the pair of chords, written in GC, was overlooked in GE. The absence of the sign in FE means that the slur in EE must have been added by Chopin in the base text to this edition.

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of EE

b. 104

composition: Op. 35, Sonata in B♭ minor, Mvt I

No slur in GC (→GE) & FE1 (→FE2EE1)

Slur in FE3 (→FE4) & EE2

Slur suggested by the editors

..

The slur in the 2nd volta was added by Chopin in the proofreading of FE3 (→FE4). In the main text we consider it – in accordance with the sense – as continuation of the slur in bars 101-104.

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of FE

b. 105-107

composition: Op. 35, Sonata in B♭ minor, Mvt I

Single slurs in GC & FE (→EE)

Double slurs in GE

..

The slurs under the notes in GE are certainly an arbitrary addition of the editor.

category imprint: Differences between sources

issues: GE revisions

b. 108

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slur in GC (→GE) & EE2

No slur in FE (→EE1)

..

The slur over the L.H. part, if not overlooked by the engraver of FE (→EE1), could have been added in GC (→GE) by Chopin. The sign was then added in EE2. Similarly in bar 116.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections in GC

b. 108-109

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slur in GC, FE3 (→FE4) & EE

No slur in FE1 (→FE2) & GE

..

It is not certain whether the slur was added by Chopin in GC or overlooked in FE1 (→FE2). Anyways, the Chopinesque proofreading of FE3 (→FE4) and of the base text to EE does not leave any doubts concerning Chopin's intention. Cf. bars 109-110.

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of FE , Authentic corrections of EE