Slurs
|
b. 39-41
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text we give a slur added by Chopin in the proofreading of FE3 (→FE4) as an undoubtedly later than the slur of GC and offering a better opportunity for an accurate recreation of Chopin's intention. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||||||||||
|
b. 40
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text we do not give the slur of GC, as the slur of the R.H. – with a different range – is valid in this context also in the L.H. category imprint: Differences between sources |
|||||||||||
|
b. 44
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The slur over the bass motif was most probably added in GC (→GE) by Chopin, together with the category imprint: Differences between sources issues: EE revisions , Authentic corrections in GC |
|||||||||||
|
b. 48
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The slur in GC is a typical "triplet" slur. Embracing with it the entire bar in GE is most probably a revision inspired by the slur in bar 44. However, the identical slur in FE (→EE) can be a result of Chopin's correction in [A]. category imprint: Differences between sources issues: Triplet slurs |
|||||||||||
|
b. 60-63
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text we give the undoubtedly authentic slurs of FE (→EE). The slur in GC, starting from the middle of bar 60, is surely inaccurate and was misrepresented in GE1. The slur in GE2 is an attempt to interpret the musically unjustified slur in GC. category imprint: Differences between sources issues: Errors in GE , GE revisions , Inaccuracies in GC |
hairpins in bars 43-44 and 46. On the basis of 
