



b. 165
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE (→EE) has a cautionary category imprint: Differences between sources issues: Cautionary accidentals |
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b. 166
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 168
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It is hard to state whether the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 169
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The tie visible in GC before the chord means an arpeggio in this context. The version of GE, repeated then in EE2, is a result of a routine revision – the sign was moved to the side of the note head of the d1 grace note, which gave it a form of a tie sustaining the grace note (cf. the note on the part of the L.H.). No slur in FE (→EE1) is most probably an oversight. FE1 includes an erroneous c1 as the grace note, which was corrected in the next impressions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , FE revisions |
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b. 169
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we reproduce the little slur running from the grace note in the version of GC, in this case probably closest to [A]. The little slur can be, according to us, interpreted as a conventional sign, by playing the grace note and the fifth, or as a B category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |