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b. 115
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
Similarly as in bar 107, in GC, FE1 (→FE2→FE3,EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 115
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In GE, there is no crotchet rest for the lower voice on the last beat, which could be the engraver's oversight (see the complete record in bars 112-114) or a revision – GE omitted the corresponding rest also in the analogous bar 107. category imprint: Differences between sources issues: Errors in GE |
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b. 116
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
Similarly to bar 108, the absence of the L.H. slur in FE (→EE1) could have been an oversight by the engraver of FE (rectified in EE2) or Chopin added this slur in #FC (→GE). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 117
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 117
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In GC the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , GE revisions , Inaccuracies in GC |
raising b
to b. The sign was added in 
1 is undoubtedly a Chopinesque addition in the proofreading of 
sign is placed in the middle of the first half of the bar, so that it seems to refer to the e