mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

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b. 110

composition: Op. 35, Sonata in B♭ minor, Mvt I

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GC does not have a quaver flag here, which is most probably an error of the copyist.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Rhythmic errors , Errors of GC

b. 110

composition: Op. 35, Sonata in B♭ minor, Mvt I

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GC and FE1 (→FE2→FE3) do not have the naturals raising G1-G to G1-G. The patent mistake was corrected in EE, GE and FE4.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , FE revisions

b. 111

composition: Op. 35, Sonata in B♭ minor, Mvt I

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GE1 overlooked the  asterisk. The sign was added in GE2, the remaining sources also include it.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 112-114

composition: Op. 35, Sonata in B♭ minor, Mvt I

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In GC the second quaver in the R.H. is written too low in all of these bars, so it could be interpreted as an F or F. The respective notes in the L.H. allow to guess the correct text, although in bar 113, the note in the L.H. is also written incorrectly as an A1. The remaining sources – including GE, based on GC – feature the correct text.

category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: GE revisions , Errors of GC

b. 113-115

composition: Op. 35, Sonata in B♭ minor, Mvt I

 from A in GC

 from B in FE (→EE)

No sign in GE
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No  hairpin is certainly an oversight of the engraver of GE1, unnoticed in GE2 as well. In the main text we give the range of the sign according to GC, in which it starts from the beginning of the motif.

category imprint: Differences between sources

issues: Errors in GE