Issues : Authentic corrections of EE
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b. 50-54
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Three phrase marks were probably added by Chopin in the base text to EE and, being the expression of the composer's latest intention, we give them in the main text. Our alternative suggestion includes a possibility of an inaccurate interpretation of signs by the engraver. Similarly in bars 238-242. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE inaccuracies , Authentic corrections of EE |
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b. 55-56
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we give a category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in FE , No pedal release mark , Inaccuracies in GC , Authentic corrections of EE |
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b. 56-57
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Chopin most probably added three category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 61
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The staccato dot over the 1st octave was most probably added by Chopin in the base text to EE. According to us, the aim of its addition could have been a sui generis correction of a too early started slur – see the note above. Therefore, choosing the suggested by us alternative version of the slur, one does not have to take this dot into consideration. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 78-80
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The slur over the final motif is undoubtedly a Chopin addition in the proofreading of FE3 (→FE4) and in the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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