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Verbal indications

b. 56-57

composition: Op. 35, Sonata in B♭ minor, Mvt II

One  in GC (→GE) & FE

Four  in EE

..

Chopin most probably added three  signs, while preparing the base text to EE. Similarly in bars 244-245.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE

b. 117

composition: Op. 35, Sonata in B♭ minor, Mvt II

dimin.  in GC (→GE)

No markings in FE1 & GE1

dimin. in bar 118 in FE2 (→FE3FE4)

dim. in bar 118 in EE

..

In the main text, we give dimin. in bar 117 (together with  in bars 118-120), in accordance with GC (and GE2), including more accurate dynamic indications (it is not entirely clear, whether the employed in GC abbreviation is dimin. or dim.; Chopin would use both). Placing the indication in FE2 (→EE,FE3FE4) only in the next bar may be inaccurate. The absence of the indication in FE1 and GE1 is certainly a mistake.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in FE , Errors in GE , GE revisions , FE revisions

b. 189

composition: Op. 35, Sonata in B♭ minor, Mvt II

in GC

in FE

in GE

in EE

suggested by the editors

..

In the main text we give the indication its conventional form.

category imprint: Differences between sources; Editorial revisions

b. 220

composition: Op. 35, Sonata in B♭ minor, Mvt II

No marking in GC (→GE)

in FE (→EE)

..

Same as in bar 32, the absence of  in GC (→GE) is probably an oversight of the copyist.

category imprint: Differences between sources

b. 233-237

composition: Op. 35, Sonata in B♭ minor, Mvt II

No indication in GC (→GE) & FE

in EE

..

Same as in bars 45-49, in the main text we give cresc. - - added probably by Chopin in the base text to EE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE