b. 12-14
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The arpeggio given in FE (→EE) could have been overlooked in GC (→GE) or added in [A] already after GC had been prepared. According to us, the sign has a nature of a general indication, valid in all analogous places (bars 32-34, 200-202, 220-222 and 255-256). category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 12
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The missing tie sustaining d1 in GC (→GE) is almost certainly a result of an oversight of the engraver; similarly in bar 200. See also bar 13. category imprint: Differences between sources issues: Errors of GC |
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b. 12
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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No sign in FE (→EE) is certainly an oversight of the engraver – there is a respective sign in analogous bar 200, but both bars were printed on the basis of the one and only notation of [A]. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 12
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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No in GC (→GE) is almost certainly an oversight of the copyist, who overlooked all signs between the staves in bars 7-13. category imprint: Differences between sources issues: Errors of GC |
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b. 13
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The missing tie sustaining d in FE1 is undoubtedly a mistake of the engraver, corrected already in FE2. In the respective bar of the recapitulation (bar 201), FE1 includes this tie. category imprint: Differences between sources issues: Errors in FE , FE revisions |