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Issues : Errors in FE
b. 16
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In [A] (→GC,FE) Chopin overlooked the bass clef. The sign was added in GE and EE. Similarly in all repetitions of this place. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors of A , Errors of GC |
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b. 18
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC (→GE1) and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors of GC |
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b. 20
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The correct notation of the trill in the 1st half of this bar and all its repetitions – bars 28, 74 and 82 – appeared in the sources (not including pupil's copies) only several years after the publication of the Sonata, in EE2 and GE2. The mistake was committed by Chopin, who in [A] (→GC→GE1→GE2mar,→FE1→FE2→EE2) wrote the trill minim as a G In EE there is also no wavy line after the trill. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors resulting from corrections , Errors in GE , GE revisions , EE inaccuracies , Errors of A , Annotations in FES , Authentic corrections of FE , Errors of GC |
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b. 23
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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On the basis of analysis of all four analogous places – see bars 14-16 – in the main text we give slurs based on the version of FE and EE (FE5 does not include slurs here, which is a patent error). We suggest the slur at the transition between bars 22-23, which could have been added by Chopin in the base text to EE, in a variant form, in brackets. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Inaccuracies in FE , Corrections in A , Errors in GE , GE revisions , Inaccuracies in GC |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC, same as in bar 16 (bar 24 is only marked as its repetition), the end of the slur can be interpreted twofold. In the main text we give a more likely, conventional interpretation of this detail, present in all editions (except for FE5, in which the slur in bars 23-24 was entirely overlooked). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE |