Issues : EE revisions
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b. 61-62
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The contrasting dynamic indications added in EE may come from Chopin, however, there are premises to suspect a possibility of a revision, adding an authentic crescendo. Due to this reason, we do not include them in the main text, however, we suggest alternative variant solutions. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of EE |
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b. 68
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The clearly long accent in GC (in bar 14, whose repetition bar 68 is) was reproduced in GE as a short one. The sign was added also in EE2. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 69
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Chopin changed category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 70-78
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In [A] (→GC,FE) Chopin overlooked the bass clef at the end of bars 70 and 78. The signs were added in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 72-80
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bars 18 and 26, in GC (→GE1) and FE (→EE1) there are no naturals raising g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Last key signature sign |
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in 
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2 to g2 at the beginning of bars 72 and 80 (both or one). Chopin's oversight was corrected in