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b. 83
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composition: Op. 27 No 1, Nocturne in C# minor
..
The rhythm notation in GE, in which the rhythmic values of both marked voices of the R.H. add up to a dotted minim written in the L.H., is formally correct and makes musical and pianistic sense. There is no reason to doubt its compliance with [A]. Adding in FE (→EE1→EE2) of the dots extending the octave a1-a2 is most probably the engraver's fault, as he failed to grasp that the minim d sharp 2 was supposed to sound on the 3rd beat of the bar together with g sharp1-f sharp2-g sharp2. The version of EE3, clearly erroneous, could have originated as a result of an unfinished attempt to restore the version of GE. category imprint: Differences between sources issues: EE revisions , FE revisions |
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b. 83
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composition: Op. 27 No 1, Nocturne in C# minor
..
Chopin certainly regarded the pitch of the recitative's first octave as determined by category imprint: Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Accidentals in different octaves |
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b. 83
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composition: Op. 27 No 1, Nocturne in C# minor
..
In GE (→FE) there are no sharps restoring F category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration |
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b. 83
|
composition: Op. 27 No 1, Nocturne in C# minor
..
 
category imprint: Differences between sources; Corrections & alterations |
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b. 83
|
composition: Op. 27 No 1, Nocturne in C# minor
..
A short category imprint: Differences between sources issues: Long accents , Errors in FE |