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b. 87-88
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composition: Op. 27 No 1, Nocturne in C# minor
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GE lacks the ending of the tie sustaining f sharp2 into bar 88 that opens a new line of text in the sources. In FE (→EE1→EE2) the tie from bar 87 was "finished" by beginning the phrasing slur in bar 88 clearly before the 1st note. That version is definitely erroneous (see bars 20-21). In EE3, the ending of the tie sustaining f sharp2was added in bar 88 to the inaccurately started slur, which brought the notation closer to the correct text. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE |
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b. 88
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composition: Op. 27 No 1, Nocturne in C# minor
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We add a cautionary category imprint: Differences between sources; Editorial revisions |
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b. 88
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 88 in GE (→FE→EE) the semiquaver in See bars 5-13. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 89
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composition: Op. 27 No 1, Nocturne in C# minor
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We align the semiquaver on the 2nd beat of bar 89 with the last quaver of the L.H. sextuplet although in this particular context an exception to the general rule could be admitted. Only a discovery of additional sources—e.g. [A] or an annotated copy—could assist in establishing Chopin's intention more firmly. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 89
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composition: Op. 27 No 1, Nocturne in C# minor
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We suggest a long accent probably used by Chopin in [A]. category imprint: Interpretations within context issues: Long accents , Inaccuracies in GE |
before e2. The accidental is also present in 
was moved beyond the 3rd note of the triplet in the accompaniment. This inauthentic, misleading notation was used throughout the Nocturne.
