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b. 24
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composition: Op. 27 No 1, Nocturne in C# minor
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The crescendo hairpin appears only in EE, modelled probably on the sign in analogous bar 91 although placed differently, i.e. below instead of above the upper staff. However, in the editors' opinion the analogy here fails to include dynamics, as Chopin probably wanted the dynamic line of the phrase in bars 90-93 to differ from that in bars 23-26 – in the Nocturne ending more emphasis is placed on the last bar, provided with additional accents and the indication con duolo. category imprint: Differences between sources issues: EE revisions |
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b. 25
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composition: Op. 27 No 1, Nocturne in C# minor
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Both dynamic markings added in EE1 (→EE2) and EE3 are definitely arbitrary additions introduced by the revisers of EE. A similar revision was introduced in bar 92. category imprint: Differences between sources issues: EE revisions |
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b. 25
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composition: Op. 27 No 1, Nocturne in C# minor
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We add a cautionary natural before e2. We also supplement that sign in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 25
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composition: Op. 27 No 1, Nocturne in C# minor
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We give Chopin’s fingering written in FES in analogous bar 93. Cf. General Editorial Principles, p. 17. category imprint: Editorial revisions |
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b. 26
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composition: Op. 27 No 1, Nocturne in C# minor
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In FE (→EE), bar 25 ends with a slur and a tie going into bar 26 on a new line of text. However, in bar 26 only one of the signs finds its continuation. From the notation it is difficult to conclude whether the omitted ending was a tie or a slur. category imprint: Differences between sources issues: Errors in FE |
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