



b. 61
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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We do not include the unnecessary cautionary flats before the 9th quaver. Chopin may have written them to differentiate this triplet from the first one in this bar (if it is not a mistake). category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 63
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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Before the 8th quaver in GC (→GE) and FE there are no accidentals: either a category imprint: Interpretations within context; Differences between sources issues: EE revisions |
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b. 66
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In GC, both the 5th and 9th quaver in the L.H. are written as a G. It also influences the sound of the 7th quaver, which is then to be interpreted as a G. The mistakes were not in GE, in spite of the fact that guessing the correct text of each of the hands requires a more careful analysis. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 66
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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Same as in bar 63, the absence of accidentals before the 8th quaver creates a doubt whether Chopin had in mind d-d1 or d category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of GC |
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b. 67-74
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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FE1 overlooked all slurs, which was completed – most probably on the basis of [A] – already in FE2. category imprint: Differences between sources issues: Errors in FE , FE revisions |