b. 33
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, written probably by a pupil, can come from Chopin. category imprint: Differences between sources |
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b. 35-37
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In the majority of the sources there are no accidentals before the 5th quaver in bars 35-36 and 3rd quaver in bar 37, which means that both these notes and their repetitions are to be interpreted as g-g1. The naturals added in EE2 are an arbitrary revision, probably aiming at bringing these bars – as far as the sound is concerned – to the F minor key and its dominant chords c-e-g-b and e-g-b-d. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions |
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b. 35
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The cautionary flats before the 1st quaver (d1(2)) were added in GE and EE2. In the main text we add flats also before the 3rd quaver b(1). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The version with e-e1 may be Chopin's mistake, who in [A] introduced the naturals raising it to e-e1 four quavers too late. In any case, Chopin proofreading of FE3 undoubtedly determines both the sound of this quaver and its enharmonic notation. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors of A , Authentic corrections of FE |
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b. 39-56
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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Afin ends in bar 12. As a consequence, in the further notes on this page, we do not take this source into consideration. category imprint: Source & stylistic information |