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b. 12
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composition: Op. 64 No 3, Waltz in A♭ major
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In A the tie sustaining a category imprint: Source & stylistic information issues: Inaccuracies in A |
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b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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An additional change of pedal at the transition between bars 13 and 14 is most probably a mistake of the engraver of FE (→GE,EE), perhaps caused by deletions in A. Similarly in all analogous places – bars 29-30 and 121-122, which may suggest a unifying revision, since the awkwardness of this pedalling is evident. category imprint: Differences between sources issues: Errors in FE |
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b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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The missing slur over the dyads is most probably an oversight of the engraver of FE (→GE,EEW1). Same as in the case of the pedalling, the mistake could have been provoked by deletions in A, hindering the interpretation of the composer's intention. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections |
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b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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In A one can see deletions in the part of the L.H. Chopin replaced a typical, dance accompaniment of the waltz with a two-bar progression of dyads, most probably in the version written in As. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A |
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b. 13
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composition: Op. 64 No 3, Waltz in A♭ major
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GE1Ab has undoubtedly an erroneous b category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
2 in bar 12, the first in a new line of the text, was left unfinished.
