mUltimate Chopin

Op. 64 No 3, Waltz in A♭ major

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Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-78
p. 4, b. 79-108
p. 5, b. 109-140
p. 6, b. 141-171
Main text
Main text
As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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Pedalling
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As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 13-14

No pedal change in A

Pedal change in FE (→GE,EE)

An additional change of pedal at the transition between bars 13 and 14 is most probably a mistake of the engraver of FE (→GE,EE), perhaps caused by deletions in A. Similarly in all analogous places – bars 29-30 and 121-122, which may suggest a unifying revision, since the awkwardness of this pedalling is evident. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE

notation: Pedalling

Missing markers on sources: FE1, FED, A, GE1op, GE2op, GE1Ab, GE2Ab, EEW1, EEW2, EEC, As, GE3op, FES
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