



b. 31
|
composition: Op. 64 No 3, Waltz in A♭ major
..
Same as in bar 15, the moment of the division of the slur in A is not entirely legible. In the main text we give the most natural, as far as the piano technique is concerned, division after the 3rd quaver in the bar. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
|||
b. 33
|
composition: Op. 64 No 3, Waltz in A♭ major
..
A cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
|||
b. 36
|
composition: Op. 64 No 3, Waltz in A♭ major
..
In GE1Ab there are no pedal markings. category imprint: Differences between sources issues: Errors in GE |
|||
b. 39
|
composition: Op. 64 No 3, Waltz in A♭ major
..
In the main text we add a cautionary category imprint: Editorial revisions |
|||
b. 42
|
composition: Op. 64 No 3, Waltz in A♭ major
..
The overlooked by Chopin category imprint: Interpretations within context; Corrections & alterations issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Errors of A |