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Issues : Errors in FE
b. 1-5
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composition: Op. 25 No 11, Etude in A minor
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Placing a metronome marking at the beginning of the Etude in FE is certainly a mistake. This edition adopted – in the entire Opus 25 and in other pieces – a graphical solution consisting in placing indications concerning metronome not above the notes (next to the tempo indication), yet in the indent of the first line of the note text. The rule was applied also here, not taking into account the fact that it is misleading in relation to the different tempo of the first four bars. category imprint: Differences between sources issues: Errors in FE |
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b. 5-6
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composition: Op. 25 No 11, Etude in A minor
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FE overlooked the general part of the octave sign over the initial, highest fragment of figuration (in the majority of the sources, including FE, it embraces also half of bar 6). The only visible trace of the indication is the word loco, which was used to end the octave sign in the times of Chopin. This patent error was corrected in FED and FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FEJ |
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b. 11
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composition: Op. 25 No 11, Etude in A minor
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In the 2nd half of the bar, the only accidental in the part of the R.H. in GC, FE and EE1 is a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , Errors of GC |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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In GC and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC |
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b. 25
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composition: Op. 25 No 11, Etude in A minor
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In GC and FE there is no category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omissions to cancel alteration , GE revisions , Errors of GC |