Issues : Authentic corrections of FE
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b. 9
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composition: Op. 25 No 11, Etude in A minor
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The fingering was probably added by Chopin at the time of proofreading FE and then used by the reviser of EE2 (→EE3). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 10-12
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composition: Op. 25 No 11, Etude in A minor
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Four fingering numerals in FE is most probably a result of Chopin proofreading of this edition. The significantly more abundant fingering of EE2 (→EE3) develops Chopin indications adopted from FE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 33
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composition: Op. 25 No 11, Etude in A minor
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The version of GC (→GE) was most probably taken into account by Chopin in all Stichvorlage manuscripts, which is indicated by the presence of category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 34-35
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composition: Op. 25 No 11, Etude in A minor
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The fingering of FE may have been added by Chopin still in the base text or only at the time of proofreading. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 43-44
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composition: Op. 25 No 11, Etude in A minor
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In the main text we give Chopin fingering, most probably added at the time of proofreading FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
in 
before f on the last semiquaver of the bar both in 
