Fingering
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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The clearly smaller number of fingering numerals in GC (→GE) is probably the original version, completed by Chopin in the base texts to FE and EE. In the main text we give the most accurate indications, included in EE. category imprint: Differences between sources |
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b. 8
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composition: Op. 25 No 11, Etude in A minor
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Lack of the fingering numeral in EE1 is probably an oversight of the engraver or copyist preparing the base text to this edition. category imprint: Differences between sources issues: EE inaccuracies |
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b. 9
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composition: Op. 25 No 11, Etude in A minor
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The fingering was probably added by Chopin at the time of proofreading FE and then used by the reviser of EE2 (→EE3). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 10-12
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composition: Op. 25 No 11, Etude in A minor
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Four fingering numerals in FE is most probably a result of Chopin proofreading of this edition. The significantly more abundant fingering of EE2 (→EE3) develops Chopin indications adopted from FE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 11
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composition: Op. 25 No 11, Etude in A minor
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The fingering in GC (→GE) is written with the copyist's hand, which probably means that it was overlooked in this edition, which had [A] as base text – FE or EE. category imprint: Differences between sources |
