Fingering
|
b. 72
|
composition: Op. 25 No 11, Etude in A minor
..
Same as in bar 69, we assume that in GC, in which bars 69-78 are not written out with notes, the fingering should not be considered (the rule was adopted in FE, GE2 and GE3, partially also in EE). The engraver of GE1 gave here a numeral, which was copied in EE3. category imprint: Differences between sources issues: GE revisions |
||||||
|
b. 81
|
composition: Op. 25 No 11, Etude in A minor
..
The fingering, present only in FE, was probably added by Chopin at the time of proofreading this edition. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||
|
b. 82
|
composition: Op. 25 No 11, Etude in A minor
..
Lack of fingering in GC (→GE) is a result of an oversight – it is either Chopin who omitted GC, while proofreading and completing the performed Stichvorlage manuscripts, or the copyist who overlooked the fingering at the time of copying. category imprint: Differences between sources |
||||||
|
b. 85
|
composition: Op. 25 No 11, Etude in A minor
..
The missing last fingering numeral in EE1 (→EE2) is probably an oversight of the engraver or the copyist. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
||||||
|
b. 87
|
composition: Op. 25 No 11, Etude in A minor
category imprint: Differences between sources issues: EE revisions |
