Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Slurs
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Slurs

b. 58-60

composition: Op. 25 No 10, Etude in B minor

No slur in GC (→GE) & EE

Slur for lower voice in FE, contextual interpretation

..

The slur embracing the phrase in the middle voice was added by Chopin most probably in the proofreading of FE. The sign is, however, inaccurately placed – in bar 58, ending a line of the text, the slur begins on the stave, yet its continuation in bars 59-60 is under the stave, which hinders its interpretation. In the analogous place in bars 78-80, the slur is already clearly placed.

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Inaccuracies in FE , Authentic corrections of FE

b. 74-77

composition: Op. 25 No 10, Etude in B minor

Slurs in GC (literal reading→GE1)

Slurs in GC, contextual interpretation

Slurs in FE

Slur in EE & GE2 (→GE3)

..

When interpreted literally, the short slurs of GC (→GE1) are almost certainly erroneous due to the breaking of the slur between bars 73-74, contrary to the construction of the phrase. The suggested interpretation is based on the original slurring of analogous bars 55-57, in which Chopin combined the one-bar slurs in bars 55-56, written initially in GC. The phrasing may be considered as alternative with respect to the main text, based on FE and compatible with the slurring of analogous bars 54-57. The continuous slur in GE2 (→GE3) is a result of an arbitrary revision, yet the same slur in EE may be authentic.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: GE revisions , Errors of GC

b. 78

composition: Op. 25 No 10, Etude in B minor

No slur in GC (→GE) & EE

Slur for lower voice in FE

..

The slur embracing the phrase of the middle voice in the R.H. in bars 78-80 was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 79-80

composition: Op. 25 No 10, Etude in B minor

No slur in GC (→GE) & EE

Slur in FE

..

The slur embracing the phrase in the middle voice was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 95-97

composition: Op. 25 No 10, Etude in B minor

Slurs in GC & EE

Slur in FE

Slurs in GE1

Slurs in GE2 (→GE3)

..

Among the four source versions of the slurring, only the first two – GC and EE and FE – are probably authentic. The version of GE1 is certainly erroneous – the engraver confused the bars and inserted the division of the slur one bar too late. In turn, the reviser of GE2 (→GE3) probably assumed that the slur of the grace note and the phrasing slur, which merge in GC, create one slur beginning from the grace note.

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE , GE revisions , Inaccuracies in GC