mUltimate Chopin

Op. 25 No 7, Etude in C♯ minor

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Fingering

b. 26

composition: Op. 25 No 7, Etude in C♯ minor

Fingering written into FED

Fingering written into FES

No teaching fingering

Fingering in EE2 (→EE3)

Suggested combination of Chopin's indications
..

The fingering of both copies complements each other, hence in the main text we give it together. The fingering added by the reviser of EE2 (→EE3) is entirely compatible in this bar with the one following from Chopin indications. It also concerns the fingering of the first, thirteen-note group of demisemiquavers in EE – see a previous note in this bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FES

b. 27

composition: Op. 25 No 7, Etude in C♯ minor

Fingering digit written in FES

No teaching fingering

Fingering in EE2 (→EE3)
..

The fingering added by the reviser of EE2 (→EE3) is undoubtedly the only numeral written by Chopin in this bar in FES.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 28

composition: Op. 25 No 7, Etude in C♯ minor

No fingering in GC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..  

category imprint: Differences between sources

issues: EE revisions

b. 29-30

composition: Op. 25 No 7, Etude in C♯ minor

No fingering in GC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

The fingering added in EE2 (→EE3) is non-authentic.

category imprint: Differences between sources

issues: EE revisions

b. 45

composition: Op. 25 No 7, Etude in C♯ minor

Fingering on C-c in GC (→GE1)

Fingering on c-e1 in FE & EE2 (→EE3)

No fingering in EE1

Fingering & splitting hands in FED & FES

Staccato dots in GE2 (→GE3)
..

The fingering numerals, in GC (→GE1) misplaced under the grace notes, were arbitrarily changed in GE2 (→GE3) to the staccato wedges.

category imprint: Differences between sources

issues: GE revisions , Errors of GC