Issues : EE revisions

b. 1

composition: Op. 25 No 7, Etude in C♯ minor

Title & dedication in GC

Title & dedication in GE1

Title & dedication in GE2 (→GE3)

Title & dedication in FE

Title & dedication in EE1 & EE3

Title in EE2

Our suggestion

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In the main text we give the title and dedication after the title page of the entire opus in GC and FE.
See the Etude in A major, No. 1. 

category imprint: Differences between sources

issues: EE revisions , Dedications , GE revisions

b. 1

composition: Op. 25 No 7, Etude in C♯ minor

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We add a cautionary  before b. A similar addition was already added in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 3

composition: Op. 25 No 7, Etude in C♯ minor

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The cautionary  before was added in EE and GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 13

composition: Op. 25 No 7, Etude in C♯ minor

Fingering written into FED & FES

No teaching fingering

Fingering in EE2 (→EE3)

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The fingering of FES is written with the hand of the pupil, with ink, on the slightly visible, pencilled numerals written by Chopin (cf., bar 14). Chopin wrote the same indications in FED. The fingering added in EE2 (→EE3), in spite of being compatible with the Chopin one, is undoubtedly an addition of the reviser.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FES

b. 15

composition: Op. 25 No 7, Etude in C♯ minor

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In GC and FE there is no  lowering c to c. This patent inaccuracy was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC