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Issues : Errors in GE
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b. 12
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composition: Op. 25 No 6, Etude in G♯ minor
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In GE1 there is no slur over three bass quavers. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 12
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composition: Op. 25 No 6, Etude in G♯ minor
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The sharp returning c category imprint: Differences between sources issues: EE revisions , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE , Errors of FC |
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b. 17-18
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composition: Op. 25 No 6, Etude in G♯ minor
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In FC (→GE1) and FE there are no sharps returning d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of FC |
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b. 20
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composition: Op. 25 No 6, Etude in G♯ minor
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Same as previously, FE, EE1 and GE1 misinterpreted the abbreviated notation of FC and remaining Stichvorlage manuscripts, giving the 2nd, 3rd and 4th groups of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 26
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composition: Op. 25 No 6, Etude in G♯ minor
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Chopin did not introduce any accidental before the 3rd chord (which results from the compatibility of the version of FC and FE). Hence it is to be interpreted as g category imprint: Differences between sources issues: Errors in GE , GE revisions |
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